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PRIVATE SCREENING
Wrong code.
First season — ten cases, ten deep dives.
AI animation woven through narration and evidence.
Room to polish, momentum to binge.
Plus: Reaper, Ghost, Bat, Werewolf, Star-Body, Imp — all felted, all unhinged.
Most animated shows begin with a concept. We begin with hundreds of developed, owned characters, a universe bible, established lore, and a season arc ready to execute. That is years of creative infrastructure that other studios don't have at this stage.
Traditional animation at comparable quality costs $1.5M–$3M for 10 episodes over 18–24 months. Our AI pipeline produces Season 1 at $447K on a bi-weekly delivery schedule. Not a marginal improvement. A structural advantage.
The hardest question in creative investment is whether the thing will actually get made and whether it will be any good. We have already answered both. The pilot exists. The pipeline works. The show is real.
True crime is the most participatory genre on the internet. The bi-weekly cadence creates community rhythm. The case-solving mechanic converts viewers into investigators. The format is designed to be lived in.
Before Season 1 launches, the pilot goes to true crime podcast hosts, Reddit communities, and YouTube ecosystem creators. Not as a pitch. As a genuine introduction. A visually distinctive animated show is something they have never seen.
Episode 1 launches with podcast partners, a seeded Reddit post in case communities, and vertical clips on TikTok and Reels the same week. The first 48 hours determine algorithmic momentum. We treat it like a product launch, not a content drop.
Every episode produces purpose-built short form content for TikTok, Reels, and Shorts. Not clips — standalone true crime content that works without context and funnels viewers to the full show. Billy presenting a case fact in 30 seconds. Optimus breaking down evidence.
The Discord launches with the show. Case-solving threads, AI character agents between episodes, evidence board mechanics. The community becomes the show's most powerful distribution engine.
We choose cases with existing online communities. When BGGY covers a case that a 200,000-person Reddit community is already investigating, that community becomes organic distribution the day the episode drops.
True crime commands premium sponsorship rates. Mid-tier true crime podcasts with 50K listeners earn $5K–$25K per sponsored episode. Season 1 has 10 episodes — 10 sponsorship opportunities at launch.
Baseline monetization from day one. True crime content earns $3–$8 CPM. Every million views generates $3K–$8K. Proof of audience and a direct line to platform credibility.
Billy, Optimus, Ghorhoth — visually distinctive characters in a visually distinctive world. Print-on-demand through Fourthwall carries zero inventory risk. Early merchandise proves the IP travels.
Fans pay monthly for exclusive content, early case access, and community perks. At 1,000 members at $7/month: $7K/month recurring. At 5,000: $35K/month.
The first significant return event. Independent animated series with proven YouTube audiences have licensed for $50K–$500K+ per season depending on platform, territory, and exclusivity.
True crime is a global format. Territory rights sold to international broadcasters — Germany, Australia, UK, Scandinavia. Each territory is a separate revenue event.
True crime has a proven live event economy. A BGGY live case reveal, community investigation night, live episode premiere with audience participation. Ticket revenue plus merchandise at events.
Sponsorship evolves into full branded integrations. A security brand sponsoring a case investigation. A legal tech company in Optimus's segments. $50K–$200K partnerships at scale.
We own hundreds of developed characters. Each character is a separate licensing asset — merchandise manufacturers, game developers, other media. Royalty streams that compound indefinitely.
A larger studio or streaming platform acquires the IP. Streaming platforms are actively acquiring proven independent animation studios. The entry price today is the lowest it will ever be.
The case-solving mechanic bridges naturally to interactive format. A mobile game where the audience solves cases alongside Billy. Characters designed. World built. Audience primed.
Billy, Optimus, and Ghorhoth as autonomous AI personas — genuinely new territory. Brands pay for character integrations. Platforms pay for exclusive partnerships. The revenue category that doesn't exist yet.
Each character is a spin-off waiting to happen. The universe bible supports new shows, formats, characters. Each new property is a new revenue stream that the original investment participates in.
The AI animation pipeline, once proven at scale, is a proprietary production asset. Licensed to other creators, used for new IP, or the studio's competitive edge. Compounds in value every time it is used.
Creative ventures — emerging tech, design, storytelling that prototypes tomorrow's culture.
Original IP, AI-native animation pipeline, and the creative engine behind BGGY.
Indie-owned podcast studio founded by Payne Lindsey and Donald Albright. Home to five back-to-back #1 podcasts — including Up and Vanished, Atlanta Monster, and Radio Rental — with over 900 million total downloads. Pioneers of true-crime storytelling that drives real-world impact.
| Category | Budget |
|---|---|
| AI Production Team | $190,000 |
| VFX & Post-Production | $50,000 |
| Sound Design | $15,000 |
| Writing & Co-Production | $40,000 |
| API Costs & Contingency | $7,000 |
| Total | $447,000 |
